“ It would have been the last
Leaving my condition unresolved
I would have felt……… this liquid light
Running through my hands
Despite the courage and the fall………
Despite the spikes………the suffering
It would have been my blood
Amidst the stars……… the Aries
It would have been a sign
On the battlefield of my body
And i would have waited for them
Tangled up in desires and abandon
It would have taken my breath
To out throw the lamentation
And when the rain falls tomorrow
It would have trapped……… my last complaint “
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“A mind illusion’s fab for a ritual’s report”
The movie title: “… Would Have Been My Last Complaint”
The shell-ter title: “Devil Trap”
Creative team
Scenario, production, Camille Lacadee (movie), Francois Roche (shelter) / [eIf/bʌt/c]
Design process, Computation, Ezio Blasetti
Robotic Design, Special effects, Stephan Henrich
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Sound design, Myrtille Fakhreddine (braïbraï), Devin Jernigan
Computation, fabrication, construction, Mark-Henry Jean Decrausaz, Cameron David Newnham, Mark Kowalyov, Peeraya Suphasidh
Camera, Suthiwat Yanawiboot
Storyboard, Pim Jular
Model & props, Pajareeya Suriwong, Nichapatara Swangdecharux
Machinism special design, Cheng Yu Ling
Shooting schedule & organization, Wachira Leangtanom
Making-of, Danielle Willems, Pantira Unarat
Historical research assistant, Natreeya Kraichitti
Community negotiation assistant, Lila Tedesco
Production assistants, Arisa Juengsophonvitavas, Papat Jinaphun, Javed Godkin Paul de Costa, Nicha Laptaveepanya, Nuthapong Jiratiticharoen, Benjawan Lamsa-ard, Tachapol Danaboonchai, Suthata Jiranuntarat, Yanisa Chumpolphaisal, Jenwit Narukatphichai, Permpoon Rojanasakul
Acknowledgements
Sri Ganapati Vedeshwar (Study Circle Library), Elias Tabet (Pandrata Circle), Sanjeen SingPawat, Gwyl Jahn
Construction
Manjunath & Co, Engineer
Ravi N.Pattegar, Civil Engineer Contractor
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The story
In a sacred Hindu village lost in the jungle, a self-made erudite brahman dedicates his life to the creation of a unique library on philosophy, theology, psychology, world literature…
… And finally find himself being violently rejected by the villagers.
Inspired by a true local story from Gokarna (Karnataka, India), the fiction evolves around the discovery of an enlightening sign, which will guide the old man in the conception of a catcher of self-complaints – called Devil Trap and manifesting the work of his entire life – , following the scriptures of the Bhagavad Gita in the attempt of a mediation between paganism and philosophy, between the villagers and himself…
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It’s a story… of how an illusion is able to create things, signs, research, fragment, assemblage, agencements and finally a shape, an object…. How a line of subjectivation is used as a strategy materializing in the physical world, in the tangible, touchable zone of our environment.
It is an experiment, linked to the study circle existence and contents… how to extract from the multitude of books and knowledge stored in the site, a possibility of substantiation, a possibility of materialization….to reveal what the words contained in them, for their ability to transform the way we negotiate with realities…
The relationship to the location (laterite stone colonized by black micro algea-mushroom), to the study circle (mainly constituted by philosophical and psychological references), to the owner, mister Vedeshwar…… and his mind… and his own practice of discovering knowledge through enigma, dilemma, signs, esoteric language and times clock gap between solar or lunar calendar based (3mn56s)…which becomes the process to manifest his illusion in the spectrum of the real.
It’s a story of someone, involved in the rereading of the Baghavad gita, its multiple psycho interpretation, about the war between two cousins which could be understood as a personal fight against our own indecision, against our own self-indulgence…. A story of somebody which found the way to extract through signs and mathematical logic a shape, which passes from his mind to a cartography, from a cartography to a 3D object drifting slowly to a real construction at scale 1 by his own enlightening… he is himself becoming a fragment of this construction….on the site where he found the sign, to understand that this indeterminacy structure has the power to help him to renegotiate his own complaint (as the Krishna dialogue with Arjuna).
….Movie 15mn / Shell-ter 30m2
