Reclaim Resi[lience]stance

Log 25
Spring/Summer 2012
Reclaim Resi[lience]stance
Guest Editor: Francois Roche
Deadline: February 15, 2012


Call it madness, if you want . . . but the new world knows only resistance . . . when I bend in order to avoid accepting the rules and their authority, I am destroying the foundations, I am insulting their legitimacy . . . There is rage in the face of my madness, a ferocious rage as if they found themselves faced with an act of revolt . . . Cretin, don’t  you understand that it’s exactly that?

– Antonio Negri, The Bent Man, in Trilogy of Resistance, 2005

Two worlds face each other today: Davos and Porto Alegre. One represents business and the operative economy, both financial and managerial; the other, the multitudes and their potential for organization from the bottom up – for a productive and operative resistance against the first.
How can the architect, artist, scientist, writer, and citizen absorb, swallow, and digest this Janus-like condition without favoring one over the other? How can they walk on the razor’s edge, following a schizoid strategy of weaving together contradictory forces, of knitting together two genetically opposed wires? On the one hand, technology as a vector of invention in the pursuit of the “businessdom,”  the mix of free-enterprise and the ideology of progress that was a basis of the democracy empire, and on the other,  the growing of the bottom-up, of the biopolitical tribes, suspicious of the delegation of power’s simulacrum as a highly imperfect and corruptible system that needs to be renovated by, and through, the multitudes and their creative energy and potential.
LOG 25 will explore ways to navigate this antagonism, which could be negotiated in an (un)certain and ambiguous manner . . . nonhierarchical, nondeterministic, defining a path in which Urbanism and Architecture could fuse bottom-up and top-down, contingently, simultaneously, as if the ingredients were making recipes, and recipes were modifying the substance of the ingredients . . . apparatuses of exchange,[1] which transform the game of power and the knowledge diffused through that game.
The stuttering between Resilience (recognition of vitalism as a force of life and innovation) and Resistance (“Creating is resisting”[2]) will be the goal . . .   1+1=?
Architecture today is shifting, or drifting, in the pure logic and strategy of shaping, where fabrication, expertise, efficiency, and computation have become substitutes for the logic of the raison d’être. Like the car company producing cars, where a specific social organization has been created to manage production without diagnosing the structural and human alienation produced by that system, the discipline of architecture is going back to its own ghetto, constructing simultaneously an efficiency and legitimacy of knowledge from evaluation and expertise, which gather and target a high degree of professionalism . . . while raising the fences, the fortress wall of its “territory,” with loneliness and detachment and a kind of absurd arrogance[3].
Paradoxically the world is being pulled and pushed in so many directions, producing contradictory tensions, new conflicts, new nationalism, new local ideologies, even new El Dorados with flickering financial fireworks – mirages in the desert.  In this context, it is not innocently that a group of philosophers requestions the foundation of democracy, the validity of its structure and the procedures of delegation of power; requestions the notion of government, of governance. Yet architecture, wallowing in its comfortable post-digital affect, or afraid to lose the privileges acquired in a period when the reason of a few presided over the destiny of many, stands straight in the phantasm of control, with tooling at its origin (master planning) and substituting the green-washing expertise of “ecology,” or the social meanings of “social networking,” for the need to refound its own practice, and the reason for this practice, in a polis-political approach.

[1] In pursuit of the notion of Félix Guattari’s “The Three Ecologies.”
[2] A scientist, a mathematician, creates a function…it is mainly an act of resistance… against the wishes of casual opinion… against the whole  domain of stupid questioning…Creation is resistance…it is production of exaggerations…and their existence is the proof of their resistance… against the stupidity and vulgarity…  “Abécédaire de Gilles Deleuze, R, Resistance.” 

[3] When John Ruskin writes of the arrogance of the Renaissance, he claims both the over-instrumentalization one the part of geometry to frame limited types of knowledge, and, simultaneously, the arrogance of the people owning this tool to discredit all others and to establish their authority, putting an end to the social organization of knowledge and construction developed during the Middle Ages (from the processes of cathedral construction with its protocols of sharing for endless experimentation  and artifacts — to the here and now… where technologies may re-question the potential of unachievement by developing uncertain “agencements”  which operate as apparatuses, the transparences of the transaction…at the opposite of a deterministic and predictable system of emission…)
Reclaim Resi[lience]stance (references)
"a plat de resistance"
The letter “R” in Gilles Deleuze’s "Abecedaries"
Resistance as William Morris, Walter Benjamin, John Ruskin, or Baudelaire / the spleen and the “aura” against mass production / from Craftsmen to Computation Craft, jumping over the standardization of the Bauhaus
Resistance as Structural Optimization (genetic algorithm, evolutionary algorithm) to "discover" the design of something by the strength of incremental and recursive calculation, reiteration
Resistance in the social manifesto, in the pursuit of the "Etablis" /Robert_Linhart
Resistance as a philosophical position, in the pursuit of Spinoza, Nietzsche, Foucault, Deleuze, Negri 
Resistance as a strategy of obstruction (The Five Obstructions, by Lars von Trier) 
Resilience in the recognition of nonlinear systems in nature as a potential for emergence (termite schizoid nonhierarchical and nonlinear construction / freeform analyses of Rupert Soar)
Resistance as a nonviolent system of opposition / La Boëtie (Voluntary Servitude), Thoreau (Civil Disobedience) and Ghandi's methods
Resistance as suspicion of the resolution of science's failure by science . . .
Resistance-resilience as feedback . . . machinist feedback, and forced feedback . . .  for narrative bachelor machines and scenario…
Resilience as the recognition of the posthuman, infiltrated by and porous to technologies and information, as both a transitory object and subject.
Resilience as the recognition of the planet's disease and the madness and contemporary barbarousness (Primo Levi’s “shame of the world” caused by failing human solidarity
Resilience in a strategy of resilience (human adaptation after a shock, a trauma, an impact)Resilience as the inoculation of a pathogen in the body to improve the body's resistance to this very pathogen 
 c/o Anyone Corporation
 41 West 25th St 11th Floor
 New York, NY 10010
 T: 212-645-1400
 F: 212-645-0726
 Manuscripts may be submitted electronically to log [at] Be sure to announce your submission in the subject line. We will not open unidentified e-mails.
 Please submit manuscripts as Word document with proper supporting  apparatus (image credits, captions, and endnotes). Length of essays may  vary, but we rarely can accept essays over 5000 words.
You must include a  short bio with your submission including contact info. While we work  with authors to refine submitted papers, we request that all submitted  essays be carefully edited and as complete
as possible (with all  necessary supporting material provided, as above). Please consult The Chicago Manual of Style,  15th edition, for appropriate stylistic standards for text and  footnotes. We request
that all images not the intellectual property of  the author be properly sourced and attributed, with jpeg or tiff files  supplied at a minimum of 300 dpi, pending further layout requirements,  permissions,
and subsequent photo-editing.

Comments are closed.